- Written by: Kamran Mofid
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Beatrix Potter's stories have captured the imagination of readers across the generations
The Secret Life of Beatrix Potter
A new book and an exhibition on Potter, who wrote “The Tale of Peter Rabbit,” use letters, sketches, and a coded journal to capture an author who delighted in the detail and humour of the natural world.
BY Anna Russell Via The New Yorker
‘Many teen-agers will go to great lengths to keep their diaries private—I kept a little key for mine in a wooden jewellery box, which I guarded jealously—but the children’s book author Beatrix Potter took it to an extreme. Between the ages of fourteen and thirty, she fastidiously recorded observations about her stiff Victorian world in several journals. Her parents, descendants of wealthy cotton merchants in the North of England, were rich and exceedingly proper. Perhaps to protect her work, Potter wrote in a minuscule handwriting using a code that only she could understand. Her journals remained a mystery until 1958, when a collector, searching through them, identified a passing reference to Louis XVI, and then painstakingly decoded years’ worth of Potter’s innermost thoughts.
In public, Potter, the author of “The Tale of Peter Rabbit” and “The Tale of Benjamin Bunny,” whose books have now sold more than two hundred and fifty million copies, was demure and perfectly respectable. In private, the journals suggest, she was forthright and opinionated, a budding artist, who delighted in the detail and humour of everyday life. “She was quite a strong and determined personality,” Annemarie Bilclough, who co-curated an exhibition on her life at London’s Victoria and Albert Museum, told me. Born in 1866, Potter lived with her parents in a grand house in South Kensington, a rapidly growing community, until she was forty-seven years old. She felt like an outsider much of the time. She hated the noise and grime of the city—“Why do people live in London so much?” she wondered—and longed to be in nature. She called her birthplace “unloved.” “My brother and I were born in London because my father was a lawyer there,” she wrote. “But our descent—our interests and our joy was in the north country.”
What was Potter doing all that time she lived at home with her parents? In childhood, she rarely ventured into the rest of London, and she had few friends besides her younger brother, Bertram. Mostly, it seems, she spent her days drawing. She drew compulsively, rapturously, from a young age, in a sketchbook that she made from drawer-lining paper and stationery. “It is all the same, drawing, painting, modelling, the irresistible desire to copy any beautiful object which strikes the eye,” she wrote. She drew when she was unsettled, regardless of the subject. “I cannot rest, I must draw, however poor the result, and when I have a bad time come over me it is a stronger desire than ever, and settles on the queerest things,” she wrote in her journal. “Last time, in the middle of September, I caught myself in the backyard making a careful and admiring copy of the swill bucket, and the laugh it gave me brought me round.”
Potter’s sketchbook and coded journal, and many of her other belongings, are on display at the V. & A. through early next year, in an exhibition titled “Beatrix Potter: Drawn to Nature.” (Rizzoli has recently published an accompanying book by the same name.) Some two hundred and forty eclectic objects, including manuscripts, sketches, tchotchkes and collectibles—even the alleged pelt of Benjamin Bunny–—tell the story of a remarkable transformation. Having lived the first two-thirds of her life in near-total acquiescence to her family’s wishes, she made a sudden turn in her third act. “A town mouse longing to be a country mouse,” as Bilclough put it, Potter gave up the trappings of her privileged life in London and bought a cottage in a remote part of the English countryside. She became a farmer and conservationist, with muddy shoes and prize-winning sheep. She walked the fells and lakeside paths around her new home, sketching them, and ultimately saving them from destruction.
Potter may not have had many friends as a child, but she had lots of animals. She and Bertram sneaked a rotating cast of pets into their nursery, including snakes, salamanders, lizards, rabbits, frogs, and a fat hedgehog. The V. & A. exhibition, which includes a series of dark rooms that evoke the cloistered atmosphere of Potter’s childhood, showcases her early drawings of the natural world as she would have known it then: a mouse, a caterpillar, a beady lizard. The siblings loved animals, but they were “unsentimental about the realities of life and death,” as the show puts it. When their pets died, they would stuff them, or boil their skeletons for further study. There’s a drawing by Bertram of a pickled fish next to a human skull, and a note from him about his pet bat: “If he cannot be kept alive . . . you had better kill him, + stuff him as well as you can,” he wrote to Potter from boarding school. Nearby, stretched out in a display case, is a flattened rabbit hide and the disturbing sign, “Rabbit pelt, thought to be that of Benjamin Bouncer.” Benjamin Bouncer was one of a series of rabbits that Potter owned, and a favourite muse. She brought him home in a paper bag when she was in her teens. Later, she brought home the rabbit Peter Piper, who learned how to jump through hoops but “flatly refused to perform” in company.
In early adulthood, Potter observed her pets closely, inventing narratives about them, and filling her letters to the children of friends with their adventures. Her dispatches are playful and alive, illustrated with pen-and-ink drawings of rabbits. In 1892, she wrote a letter to Noel Moore, the son of her former governess, about an encounter that Benjamin Bunny had with a wild rabbit in the garden. (Benjamin hardly noticed; he was eating so much.) After Benjamin died (“through persistent devotion to peppermints”), Peter Piper became Potter’s leading man. In 1893, she wrote to Noel again: “My dear Noel, I don’t know what to write to you, so I shall tell you a story about four little rabbits whose names were Flopsy, Mopsy, Cottontail and Peter.” A drawing of a whiskered Peter on his hind legs, ears perked, immediately suggests mischief.
Potter sent the Moore children story after story in illustrated letters, until Noel’s mother suggested that she try to turn them into books. (The children had saved their copies.) In 1901, Potter self-published the first edition of “The Tale of Peter Rabbit,” which appeared almost exactly as she had written it to Noel, down to Peter’s “blue jacket with brass buttons, quite new.” A series of established publishers had turned her down, partly because of her insistence on keeping the book’s price low. “Little rabbits cannot afford to spend 6 shillings on one book, and would never buy it,” she wrote to a friend. She was also particular about the size of the book; it had to be small, for small hands. The following year, Frederick Warne & Co. agreed to put out an abridged version. Potter compromised on the cover image, which she called the “idiotic prancing rabbit.”
“Peter Rabbit” was an instant hit, selling out multiple editions. (“The public must be fond of rabbits! what an appalling quantity of Peter,” Potter wrote.) Her publisher asked for more books, and she began pumping them out one after another, beginning with “The Tale of Squirrel Nutkin” and “The Tailor of Gloucester.” She also patented her characters. In the exhibition, there’s a fraying Jemima Puddle-Duck doll, with a fabric bonnet and shawl, and a Peter Rabbit teapot, as well as a complicated-looking board game. “She was very savvy in what was created, and what was made,” Helen Antrobus, who co-curated the show, told me. Potter believed that her first books found an audience because they were written for real children. “It is much more satisfactory to address a real live child,” she wrote. “I often think that that was the secret of the success of Peter Rabbit, it was written to a child—not made to order.”
She also had a knack for making the familiar strange. Her attention to the practicalities of being an animal, even a very civilised one, produced beguiling images. If a hedgehog wears a bonnet, as one does in “The Tale of Mrs. Tiggy-Winkle,” her quills will certainly poke through. If a tortoise is invited to a dinner party, as happens in “The Tale of Mr. Jeremy Fisher,” he’ll probably bring a salad in a string bag. She took silliness seriously. At the V. & A., one display case holds tiny folded letters that Potter wrote as if they were sent from one character to another: “Letters between Squirrel Nutkin, Twinkleberry Squirrel and Rt Hon. O. Brown, Esq. MP.”...Continue to read
Beatrix Potter: Drawn to Nature – February 22, 2022 By by Annemarie Bilclough
‘This beautiful book explores the beloved writer’s achievements
as a storyteller, artist, and naturalist.
Beatrix Potter’s universe of characters—Peter Rabbit, Squirrel Nutkin, Jemima Puddleduck—have delighted audiences for over a century. A creative pioneer and determined entrepreneur, she combined scientific observation with imaginative storytelling to create some of the world’s best-loved children’s books. This volume showcases Potter’s charming charac-ters against the backdrop of her exquisite botanical drawings, humorous illustrated letters to friends, Lake District landscapes, and rarely seen photographs.
Beatrix Potter’s endearingly hand-painted world of animals and gardens made her one of the most celebrated children’s book authors of all time, yet this is but one facet of her creative life. Drawn to the picturesque English countryside after a London childhood, Potter had a passion for nature that influenced her many achievements as a naturalist, artist, storyteller, and later in life as a fervent conservationist and “gentlewoman” farmer. This book sheds light upon the connections between her art, entrepreneurial success, and legacy in preservation.’- Buy the book HERE
Beatrix Potter: Drawn to Nature
Celebrating the life and work of one of the best loved children's authors of the 20th century
Discover the life and work of Beatrix Potter in an immersive exhibition that explores her enduring love of nature.
Photo: Via HR Grapevine
‘The V&A is home to the world’s largest collection of Beatrix Potter-related materials in the world. Bequeathed to the museum by engineer and enthusiast Leslie Linder, the man who decoded Potter’s secret diary, the collection spans drawings, manuscripts, correspondence and photographs.
Beatrix Potter: Drawn to Nature uses this extensive archive to explore the lasting legacy of one of the best-loved children’s authors of the 20th century. Her love for the natural world is evident from the letters, sketches and paintings on display – a passion that began with drawings documenting the distinguishing characteristics of animals when Potter was only eight years old.
Realised through a major partnership with the National Trust, the exhibition highlights Potter's work as a farmer and conservationist in the Lake District, which helped to inform the careful accuracy of her illustrations, whilst building on the success of the V&A’s family-friendly shows with playful staging and immersive design.’- Beatrix Potter: Drawn to Nature at V&A
Beatrix Potter: the lady of the Lakes
Beatrix Potter devoted her life to protecting the Lake District, and it has thanked her with some elegant literary memorials
'One of the most visited places in England's Lake District National Park is Hill Top Farm. It was owned by Beatrix Potter,
the creator of Peter Rabbit and nearly two dozen other children's classics'.-Photo:YouTube
‘‘Though she will forever be associated with the Lakes, Potter was born in London in 1866, and fell in love with Cumbria while on family holidays, which continued into her 30s. It was on one of these later visits that she began to dream up her stories of anthropomorphic woodland animals, initially presented in letters to young children of her acquaintance.’- Read the article HERE--- Learn more and visit the Hill Top HERE
Beatrix Potter, the Lake District and the National Trust
Yewtree Farm/Coniston-Cumbria Painting by David Sims
Yew Tree Farm, near Coniston in the Lake District, was one of a number of properties owned by Beatrix Potter. The property is now owned by the National Trust.- Learn more about Beatrix Potter’s love for the Lake District and her legacies to the National Trust HERE
‘The World of Beatrix Potter™ is a vibrant family Attraction bringing to life Beatrix Potter’s enchanting stories in a magical recreation of the beautiful Lake District countryside. The exhibition features favourite characters from the famous books, an award-winning outdoor Peter Rabbit Garden, a superb character-themed family-friendly café and world-famous gift shop ensuring all generations of visitors can experience a little bit of Beatrix Potter magic.’
The World of Beatrix Potter Attraction, The Old Laundry, Crag Brow, Bowness-on-Windermere, Windermere, Cumbria, LA23 3BX HERE
Our GCGI Love Letters To Our Mother Nature and Earth
Healing the world as if the web of life mattered
A Pick from our Archive
The Wisdom of Mother Nature belongs to all Life.
'Be like the sun for grace and mercy.
Be like the night to cover others’ faults.
Be like running water for generosity.
Be like death for rage and anger.
Be like the Earth for modesty.
Appear as you are.
Be as you appear.'- Rumi
Coniston Water- Getty Images
GCGI is our journey of hope and the sweet fruit of a labour of love. It is free to access, and it is ad-free too. We spend hundreds of hours, volunteering our labour and time, spreading the word about what is good and what matters most. If you think that's a worthy mission, as we do—one with powerful leverage to make the world a better place—then, please consider offering your moral and spiritual support by joining our circle of friends, spreading the word about the GCGI and forwarding the website to all those who may be interested.
- Written by: Kamran Mofid
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The Enduring Beauty and Wisdom of Coventry Cathedral
This is Why Coventry Cathedral Has Inspired the World
After the devastation of World War Two, Coventry Cathedral, inspired by its visionary Provost, Richard Thomas HOWARD, did something remarkable – they sought forgiveness and reconciliation rather than revenge and more wars of destruction.
Looking at, and thinking deeply about all the wars, conflicts and bloodshed around the world, today or in the past, including what is happening currently in the Ukraine, Russia and the possibilities of its widening to engulf the rest of Europe and more, to my mind there is no other way, that even at times of war, we must find a way to be able to live together, side-by-side, creating a world of dialogue, understanding, mutual respect, building a world of peace and harmony for all. At the end of the day, we are all in this together.
Given this, I wish to share a couple of postings from our GCGI archive with you, a telling and timely reading, especially on a Sunday.
Over a century ago the world’s first major industrialised war ended with an armistice. Across the globe, whole societies were forever changed by the war and the peace process that followed.
Then, “On 14 November 1940 the Luftwaffe launched its most devastating bombing raid of the Second World War so far. The target was Coventry, a manufacturing city in the heart of England with a beautiful mediaeval centre.
As dawn broke over a ruined city, a horrific scene of destruction greeted the survivors. Homes and factories were flattened and many buildings were consumed by flames so intense, the city's sandstone brickwork glowed red. The air stank of burning flesh, and bodies, some mutilated beyond recognition, lay in the streets. Amid the broken walls and burning buildings, a 14-year-old girl was making her way to school.”…
In the midst of destruction, death and pain, one brave man stood out amongst the crowds forever showing the world how to unlock the door of peace after wars and destruction.
When better than today, on this Sunday, to rekindle our spirit of humanity by revoking the memory and wisdom of the Man of Peace:
The very Reverend Richard Thomas HOWARD (12 June 1884– 1 November 1981), Provost, Coventry Cathedral, 1933 to 1958, the man who taught the world about the ugliness of war and the beauty of peace, the destructive path of hatred and despair and the transformational power of love and hope. May we all be inspired by the healing message of Provost Howard.
- Written by: Kamran Mofid
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‘Can we really harness our brain chemicals to give ourselves a blast of positivity? Researchers share their shortcuts to boosting oxytocin, serotonin and more.’- Amy Fleming Via The Guardian
‘Loretta Breuning grew up around a lot of unhappiness, but couldn’t figure out why. To try to find out, she avidly read up on psychology, alongside raising two children and working as a professor in management at California State University. “I thought that, if I followed the research, it would make everybody happy all the time,” she says. “And then I saw that my students were not that motivated, my kids were not that motivated, and the kids of social science professors were not that motivated. So I started looking for the deeper roots of our motivation and our emotions.” She went on to write a book, Habits of a Happy Brain: Retrain Your Brain to Boost Your Serotonin, Dopamine, Oxytocin and Endorphin Levels.
Today, when the news seems endlessly bleak, we all need an extra blast of positivity. Can harnessing our understanding of brain chemicals – from dopamine and endorphin to oxytocin and serotonin – help? Breuning, along with a number of scientists working in the field, believe so…’- Continue to read
7 Habits of a Happy Brain
You can rewire your brain to enjoy more serotonin, dopamine, oxytocin, endorphin
By Loretta Breuning Via Psychology Today
Make this part of each day and you'll like the results:
- Remember that you have power to build new pathways in your brain. (But it takes more persistence and courage than you may expect, because your old pathways are already well developed and connected to your pleasure and pain centers.)
- Remind yourself that your frustrations are just electricity flowing down the path of least resistance in your brain. (You can give your electricity a new place to flow if you focus on a positive new choice every day for 45 days without fail.)
- You can turn on the excitement of dopamine by taking a step toward an expected reward. (Of course rewards are unpredictable in the real world, but you can always adjust your expectations and take another step.)
- You can enjoy the safe feeling of oxytocin by taking small steps toward social trust, often. (The mammal brain rewards you with a good feeling when you create social trust, but it makes careful choices because it’s not always safe to trust.)
- You can stimulate the nice feeling of serotonin by focusing on what you have instead of what you lack. (The mammal brain makes social comparisons because that promotes survival in the state of nature, but you can find ways to feel good about yourself without putting others down.)
- Laughing triggers the joy of endorphins, so make time in your life for laughter. (You may not laugh at what your friends think is funny, so let your own sense of humor be your guide.)
- Stop what you’re doing when your cortisol turns on, because it makes everything you do look bleak. (Cortisol is designed to alert you to potential threats, so you will see plenty of threats until you give your body a couple of hours to metabolize it.)- Read the original article HERE
Photo: Adams Media Via psychology corner
‘A revolutionary approach to enhancing your happiness level!
Get ready to boost your happiness in just 45 days! Habits of a Happy Brain shows you how to retrain your brain to turn on the chemicals that make you happy. Each page offers simple activities that help you understand the roles of your "happy chemicals"-serotonin, dopamine, oxytocin, and endorphin. You'll also learn how to build new habits by rerouting the electricity in your brain to flow down a new pathway, making it even easier to trigger these happy chemicals and increase feelings of satisfaction when you need them most. Filled with dozens of exercises that will help you reprogram your brain, Habits of a Happy Brain shows you how to live a happier, healthier life!’- Buy the book HERE
A Selection of Related postings from our archive
'Be in love with life and the living and the world will be a better place.'- Kamran Mofid
Larkspurs, signifying happiness and love.Photo: Petal Republic
GCGI is our journey of hope and the sweet fruit of a labour of love. It is free to access, and it is ad-free too. We spend hundreds of hours, volunteering our labour and time, spreading the word about what is good and what matters most. If you think that's a worthy mission, as we do—one with powerful leverage to make the world a better place—then, please consider offering your moral and spiritual support by joining our circle of friends, spreading the word about the GCGI and forwarding the website to all those who maybe interested.